| archive for August, 2010 |


The truth about the de-evolution band

12 Aug 2010 23:18 EST

I saw a man on a stage scream “Put me back in my cage!” / I saw him hang by his tie / I saw enough to make me cry…
-”Planet Earth”, Devo

Last Wednesday I finally performed my duty and attended my first ever concert performance by DEV-O, the De-evolution Band of Akron, Ohio (What’s round on the end and high in the middle?). Mark Mothersbaugh, Gerald V Casale, Bob1, Bob2, and the new boy Josh played for a large troupe of primates at the Ohio State Fair, where people also sell deep fried Snickers bars, sculpt unironic cows of butter, and fatten themselves on fattened pigs.

The condensed review: It’s a Good Thing.

The whole big mess: I have waited all my futile, repetitive ‘life’ to attend a performance by these spuds. Now that I have done so, I am happy to report that I have nothing further to live for but the dictates of my genetics. The grotesque, yet fully satisfying, spectacle of videos, lights, and calisthenics was accompanied by a throbbing beat, clamorous guitars, and victorious analog synthesizers. The analog tones produced by the vintage synths spoke with a raw-edged perfection that straddled the uncanny line between natural sounds and the noise of machinery. Modern digital synthesis is pathetic, weak, and bloodless in comparison.

Bob1 on the psycho-surf guitar tore shreds in the amps throughout the night; in the second half of the show his bandmates gave up their own synths for guitars themselves as they switched from new songs to old favorites. In lieu of a drum machine, the boys from Ohio recruited Mr Freese, the very man who is used as the calibration to ensure drum machines keep proper time. He closed his eyes and beat the skins like a man barely aware of anything but the insistent rhythm. Mark Mothersbaugh gave a consistently hyperactive performance, although for the last song he deserted us and left poor Booji Boy to sing the lead on “Beautiful World”  –  while images of the Deepwater Horizon flowed jarringly before us. And the brothers Casale on the bass and the rhythm laid down a texture not heard since our ancestors were hooting in caves.

A thing to remember: Devo are essentially two pairs of brothers, two of whom are suspiciously named Bob. These are men who have never grown up and make their livings still playing around with their brothers. This gives these sexagenarians a fount of youthful energy. They did not stop moving. Truth be told, the opening band were twenty-something hipsters who lolled lackadaisically about in their chairs making adequate music. In stark contrast, Devo understood that performance requires action. They simultaneously played instruments, sang, and ran frenetically to and fro, all while showing videos on a high-technology transparent LED screen behind them and three enormous displays around them.

The video entertainment was highly ironic. No, Gen Y, I do not mean ironic like a goatee or a Where the Wild Things Are t-shirt. Devo are dead serious about their irony. The videos taught us that our pheromones and hormones rule our minds, and yet our primitive culture subsumes french fries and donuts for sex.

In no reasonable order, I will now list for you the tunes they barraged us with: Whip It / What We Do / Uncontrollable Urge (featuring the original choreography!) / That’s Good (of Square Pegs infamy)/ Smart Patrol/Mr DNA (for die-hard devotees) / Secret Agent Man (a tour de force by Bob1) / Satisfaction (the original and best)/ Planet Earth / Peek-a-Boo! (scary) / Mongoloid (thoughtful, actually) / Jocko Homo / Going Under (a personal favorite) / Girl U Want / Gates of Steel / Fresh / Freedom of Choice / Don’t Shoot (I’m A Man) / Devo Corporate Anthem / Beautiful World. I should note that What We Do (the finest performance of the night), Uncontrollable Urge, Mongoloid, and Don’t Shoot were particular favorites of the feverish crowd.

I must admit that I draw the attention of my children (who, with my mate, accompanied me to the concert) to the lyrical teachings of Devo. Devo’s music can be beautiful, but their lyrics are, strictly speaking, not. Instead of focusing on Beauty, they focus on Truth. The Truth is only sometimes beautiful. It is often harsh, unwanted, and painful. Yet it is true, and we ignore Truth at our peril. It comforts us not to confront our descent from the apes; our slavery to our uncontrollable biological urges; our existence which repeats itself mundanely, day after day, generation after generation. These are Devo’s topics, set atop catchy jingles with danceable beats: “the fittest shall survive, yet the unfit may live“; “freedom of choice is what you’ve got, freedom from choice is what you want“. But Devo are never subjugated by the Truth. They don’t mope. Instead they also tell us how we must embrace our destinies and strive for success within the time and space we are given: Whip It! Step Up!

The evening was itself a success. Devo have been travelling minstrels for 37 years, but show few signs of flagging and little evidence of rot. They are still loud, brash, deliberate, annoying, fun, bright, stupid, and brilliant. Having felt their presence I can now spread the word as it has been ordained. If they invade your town, do not fail to heed the call. They have something for everybody.

BUY THE ALBUM.